Paper – II
Note: This
paper contains fifty (50) objective type questions, each question carrying two
(2) marks. Attempt all the questions.
(ALL
THE ANSWERS ARE COLOURED. I HAVE TRIED TO GIVE LOGIC BEHIND ANSWERING THESE
QUESTIONS. WITHOUT SYLLOGISTIC FORMAT YOU NEED AN ELFIN TOWER TALL HEAD.)
1. A classical
influence on Ben Jonson’s Volpone is
(A) Juvenal (B) Aristophanes (C) Plautus (D) Terence
Ben Jonson
(1572-1637), English dramatist and poet, whose classical learning, gift for
satire, and brilliant style is exhibited in his brilliant comedy, Volpone
(1606) is modeled upon classical writer Aristophanes
2. Kipling’s
“The White Man’s Burden” is addressed to
(A)
The American imperial mission in the Philippines.
(B) The
Belgian colonial expansion in the Congo.
(C) The
British Imperial presence in Nigeria.
(D) The
British colonial entry into Afghanistan.
At the conclusion of the
Spanish-American War of 1898, the United States annexed the Philippines, which
had been a Spanish colony since the 16th century. Kipling’s “The White Man’s
Burden” is addressed to the subject of American colonization of the
Philippines.
3. Poetry : A
Magazine of Verse was founded by Harriet Monroe in
(A) 1922 (B)
1920 (C) 1918 (D) 1912
Harriet
Monroe (1860 - 1936) U.S. poet and editor
founded Poetry : A Magazine of Verse in 1912.
4. Who among
the following was Geoffrey Chaucer’s contemporary?
(A) Thomas
Chatterton (B) John Gower
(C) Thomas
Shadwell (D) John Gay
5. Which of the
following is NOT written by Walter Scott?
(A) Ivanhoe
(B) Lady of the Lake
(C) Heart
of Midlothian (D) The English Mail Coach
The Lady of
the Lake (1810), The Bridal of Triermain (1813), The Heart of Midlothian
(1818), Ivanhoe (1819) are written by Walter Scott. The English Mailcoach
(1849)
is written
by Thomas De Quincey (1785-1859).
6. “Provincializing
Europe” is a concept propounded by
(A) Edward
Said (B) Paul Gilroy
(C) Abdul R.
Gurnah (D) Dipesh Chakravarty
7. The earliest
tract on feminism is
(A) Simone
de Beauvoir’s The Second Sex
(B) Virginia
Woolf’s A Room of One’s Own
(C)
Mary Wollstonecraft’s A Vindication of the Rights of Woman
(D) Mary
Astell’s A Serious Proposal to the Ladies
In the late
17th century Mary Astell , the women writer in
England, challenged patriarchal
structures in their lives and writings. Her A Serious Proposal to the
Ladies, for the Advancement of Their True and Greatest Interest (1694) was
calling for improvements in women’s education. However modern Scholars have
pointed out inconsistencies in her views.even though she is epitheted "the
first English feminist.", her tract on feminism is still disputable.
Mary Wollstonecraft (1759-1797)’s A Vindication of the
Rights of Woman (1792), asserts that intellectual companionship is the
ideal of marriage and pleads for equality of education and opportunity between
the sexes.
Virginia Woolf, a fervent supporter of women’s rights,
considers the difficulties of the woman artist in A Room Of One’s Own
(1929).
French novelist and existentialist writer Simone de
Beauvoir’s Le deuxième sexe (The
Second Sex, 1953) examines the low status of women in society.
8. Match the
imaginary location with its creator:
1. Emily
Bronte 2. Thomas Hardy
3. Lowood
Parsonage 4. Charles Dickens
5. Wessex 6.
Egdon Heath
7. Coketown
8. Charlotte Bronte
(A) 1-7 2-5
4-6 3-8 (B) 1-6 2-5 3-8 4-7
(C) 1-5 2-6
3-8 4-7 (D) 2-5 1-7 3-4 6-8
9. Which
Chaucerian text parodies Dante’s The Divine Comedy ?
(A) The
Canterbury Tales (B) The Book of the Duchess
(C)
The House of Fame (D) Legend of Good Women
10. Essays of
Elia was published in
(A) 1800 (B) 1823 (C) 1827 (D) 1850
11. Which of the
following is an example of homosexual fiction ?
(A) The
Well of Loneliness (B) Maurice
(C) Orlando
(D) The Ballad of the Reading Gaol
12. W.B. Yeat’s
“Easter 1916” is
(A)
a response to a major political uprising
(B) a
reminiscence of his visit to a nursery school
(C) a love
poem for Maud Gonne
(D) an ode
to his native country
13. William
Empson’s Seven Types of Ambiguity is
(A) A
structuralist study of narrative
(B) A piece
of psychoanalytic criticism
(C) A study
of the media
(D)
An analysis of poetic ambivalence
In 1930, at
24 years of age, Empson published Seven Types of Ambiguity, an influential text
which analyzes in detail the meanings and effects of English poetry.
14. Who among
the following is associated with the ideology of Utilitarianism?
(A) J.A.
Froude (B) Charles Kingsley
(C)
J.S. Mill (D) Cardinal Newman
The term utilitarianism
is more specifically applied to the proposition that the supreme objective of
moral action is the achievement of the greatest happiness for the greatest
number. John Stuart Mill, who made utilitarianism the subject of one of his
philosophical treatises (Utilitarianism,1863), is the ablest champion of
the doctrine after Bentham.
15. The
‘Condition of England’ literature refers to
(A) The
literature written by the labour class.
(B) The
literature of England extolling living conditions.
(C) The literature of England depicting the vulnerability of
labour classes.
(D) The
literature of England depicting the imperial projects abroad.
The term the
“Condition-of-England novels” refers largely to industrial novels, social
novels, or social problem novels, published in Victorian England during and
after the period of the Hungry Forties. this type of novels deals with the
contemporary social and political issues related to deteriorating social
scenario after the Industrial Revolution in England in the early 19th
century.
16. Philip
Sidney wrote An Apology for Poetry in immediate response to
(A) Plato’s Republic
(B)
Aristotle’s Poetics
(C)
Stephen Gosson’s The School of Abuse
(D) Jeremy
Collier’s Immorality and Profaneness of the English Stage.
STEPHEN
GOSSON (1554-1624). —Poet, actor, and satirist wrote The School of Abuse (1579),
directed against "poets, pipers, players, jesters, and such-like
Caterpillars of a Commonwealth." Dedicated to Sir P. Sidney, it was not
well received by him, and is believed to have evoked his Apologie for Poetrie
(1595).
17. Silence ! The
Court is in Session is a _________ play translated into English.
(A) Gujarati
(B) Bengali (C) Marathi (D) Kannada
18. Arrange the
following in ascending order in terms of size :
1. epic 2.
epigram 3. stanza 4. sonnet
(A) 1 2 3 4
(B) 2 1 3 4
(C)
2 3 4 1 (D) 1 3 4 2
19. “Fail I
alone in words and deeds ?/Why, all men strive and who succeeds ?” These
lines are
from
(A) “Rabbi
Ben Ezra” (B) “Fra Lippo Lippi”
(C) “Caliban
upon Setebos” (D) “The Last Ride Together”
20. Dr.
Johnson’s “The Vanity of Human Wishes” expresses
(A) Epicureanism
(B) Humanism (C) Stoicism (D) Cynicism
21. “A trivial
comedy for serious people” was the subtitle for
(A) Everyman
in His Humour (B) Blythe Spirit
(C) The
Way of the World (D) The Importance of
Being Earnest.
22. Which famous
elegy closes with the following lines ?
“In the
deserts of the heart/Let the healing fountain start,/In the prison of his
days,/
Teach the
free man how to praise.”
(A) In
Memoriam (B) Thyrsis
(C)
“In Memory of W.B. Yeats” (D) “Verses on the Death of T.S.
Eliot”
23. The Temple is a
collection of poems by
(A) Thomas
Carew (B) Robert Herrick
(C)
George Herbert (D) Richard Crashaw
24. Ben Jonson’s
comedies are
(A) Volpone,
Bartholomew Fair, The Shoemaker’s Holiday
(B)
Volpone, The Alchemist, Epicoene
(C) Volpone,
The Alchemist, The Knight of the Burning Pestle
(D) Volpone,
Epicoene, The Shoemaker’s Holiday
The
Shoemakers' Holiday, or the Gentle Craft is an Elizabethan play
written by Thomas Dekker. While The Knight of the Burning Pestle is a
play by Francis Beaumont.
25. What is ‘L’
Allegro’s’ companion piece called?
(A) Lamia
(B) Hyperion (C) Il Penseroso
(D) Thyrsis
It is nearly
impossible to understand and appreciate John Milton's L'Allegro
without also having read its companion piece, Il Penseroso.
26. Match the
character with the novel :
1. Caddy 2.
Lennie
3. Jake
Barnes 4. Tommy Wilhelm
5. The
Sound and the Fury 6. Of Mice and Men
7. The
Sun Also Rises 8. Seize the Day
Codes :
(A)
1-5 2-6 3-7 4-8 (B) 2-7 1-8 3-5 4-6
(C) 3-5 4-6
2-8 1-7 (D) 4-5 3-8 2-7 1-8
Caddy-- The
Sound and the Fury
Lennie----
Of Mice and Men
Jake
Barnes--- The Sun Also Rises
Tommy
Wilhelm--- Seize the Day
27. Who among
the following writers belonged to the American Beat Movement?
(A)
Allen Ginsberg (B) Mark Beard
(C) Isaac
McCaslih (D) Charles Beard
28. “The Lost
Generation” is a name applied to the disillusioned intellectuals and aesthetes
of the years following the First World War. Who called them “The Lost
Generation”?
(A) H.L.
Mencken (B) Willa Cather
(C) Jack
London (D) Gertrude Stein
The "Lost
Generation" is a term used to refer to the generation, actually an age
cohort that came of age during World War I. The term was popularized by Ernest
Hemingway who used it as one of two contrasting epigraphs for his novel,
"The Sun Also Rises." In that volume Hemingway credits the phrase to
Gertrude Stein, who was then his mentor and patron.
29. Hyperbole is
1. an
extravagant exaggeration 2. a racist slur
3. a
metrical skill 4. a figure of speech
(A) 1 is
correct (B) 1 and 4 are correct
(C) 1 and 3
are correct (D) 3 is correct
30. “Imagined
Communities” is a concept propounded by
(A)
Benedict Anderson (B) Homi Bhabha
(C) Aijaz
Ahmed (D) Partha Chatterjee
31. The New
Historicists include
(A)
Greenblatt, Showalter, Montrose (B) Greenblatt, Sinfield, Butler
(C)
Greenblatt, Montrose, Goldberg (D) Williams, Greenblatt, Belsey
Stephen
Greenblatt ,Jonathan Goldberg, Stephen Orgel, Lisa Jardine, and Louis Montrose
are the notable New Historicists.
32. Wallace
Stevens’ “The Man with the Blue Guitar” may be linked to the work of the
following artist:
(A)
Modigliani (B) Chagall (C) Picasso (D)
Cezanne
Wallace
Stevens (1879-1955), American poet, whose works deal
mainly with the individual’s interaction with the outside world, created
exquisite, vibrant poems that were often suffused with brilliant color. “The
Man with the Blue Guitar” 1937 is one of his best composition series. The poem
series is related to Picasso’s painting of the same title.
33. The author
of Gender Trouble is
(A) Elaine
Showalter (B) Helene Cixous
(C) Michele
Barrett (D) Judith Butler
34. The
structural analysis of signs was practised by
(A) Michel
Foucault (B) Jacques Lacan
(C) Julia
Kristeva (D) Roland Barthes
35. Which of the
following is a spoof of a Gothic novel ?
(A) Frankenstein
(B) Northanger Abbey
(C) Castle
of Otranto (D) Mysteries of Udolfo
Jane
Austen’s Northanger Abbey , a posthumous publication, appearing in 1818, is a
satire on the contemporary craze for Gothic novels and their characteristic
themes of horror, picturesque ruins, medievalism, terrible secrets, and the
supernatural, Northanger Abbey recounts the career of the heroine Catherine
Morland.
36. The
“madwoman in the attic” is a specific reference to
(A) The
narrator of “Goblin Market”
(B) Augusta
Egg’s 1858 narrative painting
(C) The
Heroine of The Yellow Wallpaper
(D)
Bertha Mason of Jane Eyre
37.
Assertion (A) : Dr Johnson’s The Lives of the
Poets carries critical and biographical studies of poets he admired. It
does not, however, carry a life of
William
Wordsworth.
Reason (R) :
Dr. Johnson singled out poets whom he not only admired but
also
adored. This
explains his omission of Wordsworth.
(A) (A) is
wrong but (R) is correct.
(B) (A) is
true but (R) is false.
(C) (A) and
(R) are true.
(D) Neither (A) nor (R) is true.
Johnson's last major work,
The Lives of the English Poets, was begun in 1778, when he was nearly 70
years old, and completed—in ten volumes—in 1781. It comprises short biographies
and critical appraisals of 52 poets, most of whom lived during the eighteenth
century. It is arranged, approximately, by date of death. On the other
hand, Wordsworth’s Lifetime (1770-1850) does not focus Johnson’s critical era.
38. What is the
correct chronological sequence of the following ?
(A)
Moll Flanders, Pamela, Joseph Andrews, Tristram Shandy
(B) Joseph
Andrews, Tristram Shandy, Pamela, Moll Flanders
(C) Tristram
Shandy, Moll Flanders, Pamela, Joseph Andrews
(D) Pamela,
Moll Flanders, Joseph Andrews, Tristram Shandy
Moll
Flanders : Daniel Defoe published Moll Flanders in 1722 . Many
critics have speculated that Defoe’s story of a beautiful and greedy woman who
turns to crime is not a novel in the true sense but a work combining biography
and fiction.
Pamela:
Pamela; or Virtue Rewarded (1740) by Samuel Richardson was one of the first
works of the genre epistolary novel.
Richardson's
contemporary Henry Fielding evinced his connection with the earlier satirical
spirit in his novel Joseph Andrews (1742), which parodies Richardson's other
novel of virtue besieged, Pamela (1740).
The Life and
Opinions of Tristram Shandy, Gentleman (1759-1767), the masterpiece of another
great British novelist of the century, Laurence Sterne, indulges in the new
cult of sentiment, but by reason of its cast of eccentric characters and the
skilled weaving of the most extraordinary behavior into the depiction of their
personalities, this novel lies outside the usual historical categories.
This means
1. An
Englishman does not know what heresy is.
2. An
Englishman has no beliefs.
3. And,
therefore, there is no question of his heresy.
4. And,
therefore, there cannot be any question of his acting his beliefs.
(A) 1 and 4
are correct (B) 2 and 1 are correct
(C)
1 and 3 are correct (D) 2 and 4 are
correct
Saint Joan ~ Scene
IV
written by George Bernard Shaw
written by George Bernard Shaw
WARWICK. I am a soldier, not a churchman. As a pilgrim I saw
something of the Mahometans. They were not so ill-bred as I had been led to
believe. In some respects their conduct compared favorably with ours.
CAUCHON [displeased] I have noticed this before. Men
go to the East to convert the infidels. And the infidels pervert them. The
Crusader comes back more than half a Saracen. Not to mention that all Englishmen
are born heretics.
THE CHAPLAIN. Englishmen heretics!!! [Appealing to
Warwick] My lord: must we endure this? His lordship is beside himself. How
can what an Englishman believes be heresy? It is a contradiction in terms.
CAUCHON. I absolve you, Messire de Stogumber, on the ground
of invincible ignorance. The thick air of your country does not breed
theologians.
WARWICK. You would not say so if you heard us quarrelling
about religion, my lord! I am sorry you think I must be either a heretic or a
blockhead because, as a travelled man, I know that the followers of Mahomet
profess great respect for our Lord, and are more ready to forgive St Peter for
being a fisherman than your lordship is to forgive Mahomet for being a camel
driver. But at least we can proceed in this matter without bigotry.
CAUCHON. When men call the zeal of the Christian Church
bigotry I know what to think.
WARWICK. They are only east and west views of the same thing.
CAUCHON [bitterly ironical] Only east and west! Only!!
WARWICK. Oh, my Lord Bishop, I am not gainsaying you. You
will carry The Church with you, but you have to carry the nobles also. To my
mind there is a stronger case against The Maid than the one you have so
forcibly put. Frankly, I am not afraid of this girl becoming another Mahomet,
and superseding The Church by a great heresy. I think you exaggerate that risk.
But have you noticed that in these letters of hers, she proposes to all the
kings of Europe, as she has already pressed on Charles, a transaction which would
wreck the whole social structure of Christendom?
CAUCHON. Wreck The Church. I tell you so.
The speech
constitutes of THE CHAPLAIN in Saint Joan (1923) by Shaw . In
Shaw’s hands Joan of Arc becomes a combination of practical mystic, heretical
saint, and inspired genius. He treats the voices she hears as being the
products of an active imagination. Shaw’s basic theme is that society always
acts to choke off moral genius, no matter what the inspiration of that genius
is. In dealing with historical subjects, Shaw initiated a natural and humorous
treatment of famous figures—an approach that was followed by dramatists who
came after Shaw.
40. Which of the
following is an essentially Freudian concept?
(A)
Archetype (B) The Uncanny
(C)
The Absurd (D) The Imaginary
41. He wrote an
essay called “Conrad’s Darkness” where he praises the earlier writer for
offering him a vision of the world’s “half-made societies’. Identify the
writer.
(A) Chinua
Achebe (B) V.S. Naipaul
(C) Salman
Rushdie (D) Ngugi wa Thiongo
42. “Magic
Realism” is closely associated with
(A)
Italo Calvino (B) Gabriel Garcia Marquez
(C) Anita
Desai (D) Rohinton Mistry
Italo
Calvino (1923-85), Italian writer. Born in Cuba, of Italian parents, Calvino
moved to Italy in his youth. After World War II activity as a partisan in the
Italian Resistance, he settled in Turin, where he earned his degree in
literature. He was a realistic writer in his first novel, The Path to the Nest
of Spiders (1947; trans. 1956). He then turned to techniques of a genre that
became known as magic realism, characteristic of his allegorical novels The
Nonexistent Knight & The Cloven Viscount (1952-59; trans. 1962). These and
the later works Cosmicomics (1965; trans. 1968); If on a Winter's Night a
Traveler (1979; trans. 1981); and Mr. Palomar (1983; trans. 1985) demonstrate
Calvino's unique blend of fantasy, scientific curiosity, and metaphysical
speculation.
Gabriel
García Márquez, born in 1928, Colombian novelist and short-story writer, known
as one of the masters of magic realism, a style that weaves together realism
and fantasy. He won the Nobel Prize in literature in 1982.
García
Márquez's best-known novels include El coronel no tiene quien le escriba (1958;
No One Writes to the Colonel, 1968), about a retired military hero; Cien años
de soledad (1967; One Hundred Years of Solitude, 1970), the epic story of a
Colombian family, which shows the stylistic influence of American novelist
William Faulkner; and El otoño del patriarca (1975; The Autumn of the
Patriarch, 1976), concerning political power and corruption. Crónica de una
muerte anunciada (1981; Chronicle of a Death Foretold, 1983) is the story of
murder in a Latin American town. Collected Stories was published in English
translation in 1984.
( There is doubt in option A & B)
( There is doubt in option A & B)
43. Who among
the following combines anthropology, history and fiction?
(A) Kamala
Markandya (B) Mulk Raj Anand
(C) Upmanyu
Chatterjee (D) Amitav Ghosh
44. Which of the
following is NOT a Partition novel?
(A) Train
to Pakistan (B) Sunlight on a Broken Column
(C)
The Shadow Lines (D) In Custody
Partition has been a literary
subject in many of the Indian languages, as well as in English. Khushwant
Singh’s English novel Train to Pakistan (1956) is one of the earliest
novels to evoke the horrors of the violence that accompanied partition.
Attia
Hosain's 'Sun Light on A Broken Column' also deals
with partition politics.
Amitav
Ghosh's novel The Shadaw Lines (1988) (this is not to confuse with
Conrad’s The Shadow-Line (1917) which I experienced here in
answering unless corrected by my worthy reader) portrays the pre independence
and post independence partition politics in ironic terms.
While Anita Desai's In Custody is the story of a college lecturer seeking to meet the great poet who has been his hero since childhood. It was made into a motion picture in 1993.
While Anita Desai's In Custody is the story of a college lecturer seeking to meet the great poet who has been his hero since childhood. It was made into a motion picture in 1993.
45. Which of the
following options is correct?
(i)
Transcendentalism was a philosophical and literary movement.
(ii) It
flourished in the Southern States of America in the 19th century.
(iii) It was
a reaction against 18th century rationalism and the skeptical philosophy of
Locke.
(iv) Among
the major texts of Transcendentalist thought are the essays of Emerson,
Thoreau’s Walden
and the writings of Margaret Fuller.
(A)
(i) and (iv) are correct. (B) (ii) and (iii) are correct.
(C) (iii)
and (iv) are correct. (D) (iv) is correct
Transcendentalism, in philosophy and literature,
belief in a higher reality than that found in sense experience or in a higher
kind of knowledge than that achieved by human reason. Nearly all
transcendentalist doctrines stem from the division of reality into a realm of
spirit and a realm of matter.
In its most specific usage,
transcendentalism refers to a literary and philosophical movement that
developed in the U.S. in the first half of the 19th century. While the movement
was, in part, a reaction to certain 18th-century rationalist doctrines, it was
strongly influenced by Deism, which, although rationalist, was opposed to
Calvinist orthodoxy. Transcendentalism also involved a rejection of the strict
Puritan religious attitudes that were the heritage of New England, where the
movement originated. In addition, it opposed the strict ritualism and dogmatic
theology of all established religious institutions.
American transcendentalism
began with the formation (1836) of the Transcendental Club in Boston. Among the
leaders of the movement were the essayist Ralph Waldo Emerson, the feminist and
social reformer Margaret Fuller, the preacher Theodore Parker, the educator
Bronson Alcott, the philosopher William Ellery Channing, and the author and
naturalist Henry David Thoreau. The Transcendental Club published a magazine,
The Dial, and some of the club's members participated in an experiment in
communal living at Brook Farm, in West Roxbury, Massachusetts, during the
1840s. Major transcendentalist works of the American movement include Emerson's
essays “Nature” (1836) and “Self-Reliance” (1841), as well as many of his
metaphysical poems, and also Thoreau's Walden, or Life in the Woods (1854),
which is an account of an individual's attempt to live simply and in harmony
with nature.
Read the
following passage carefully, and select the right answers from the alternatives
given below in the question 46 to 50 :
It would be
more accurate to say that discourse, rather than language, plays a
crucial part in structuring our experience. The whole idea of ‘language’ is
something of a fiction: what we normally refer to as ‘language’ can more
realistically be seen as heterogeneous collection of discourses. Each of us has
access to a range of discourses, and it is these different discourses which
give us access to, or enable us to perform, different ‘selves’. A discourse can
be conceptualized as a ‘system of statements which cohere around common
meanings and values’. So, for example, in contemporary Britain there are
discourses which can be labeled ‘conservative’ – that is, discourses which
emphasize values and meanings where the status quo is cherished: and there are
discourses which can be labeled ‘patriarchal’ – that is, discourses which
emphasize meanings and values which assume the superiority of males. Dominant
discourses such as these appear ‘natural’: they are powerful precisely because
they are able to make invisible the fact that they are just one among many
different discourses.
Theorizing
language in this way is still new in linguistics (to the extent that many linguists
would not regard analysis in terms of discourses as being part of linguistics).
One of the advantages of talking about discourses rather than about language is
that the concept’ discourse’ acknowledges the value-laden nature of language.
There is no neutral discourse: whenever we speak we have to choose between
different systems of meaning, different sets of values. This process allows us
to show how language is implicated in our construction of different ‘selves’:
different discourses position us in different ways in relation to the world.
<Ref:
Communicating gender in context Chapter: Language and the Construction
of Different Selves By Helga Kotthoff Page 291>
Questions :
46. Which of the
following is True in the light of this passage ?
(A) Language
is inaccurate. (B) Discourse is accurate.
(C) Language
comprises discourse. (D) Discourse comprises
language.
47. What
words/phrases suggest the plurality of discourse in this passage?
I. different
selves II. range
III. system
of statements IV. heterogeneous collection
(A)
II and IV (B) II and III (C) III and IV (D) I
48. Having
called language “something of a fiction”, how does the author suggest its
opposite ?
By using the
phrase
(A)
conceptualized as a system (B) more accurate to say
(C) range of
discourses (D) more realistically be seen
49. Which among
the following statements is NOT true ?
(A)
Conservative discourses plead for the status quo.
(B)
Patriarchal discourses privilege male values.
(C) Dominant discourses are natural.
(C) Dominant discourses are natural.
(D) Dominant discourses seem natural.
50. What does
this passage plead for ?
(A)
Theorizing language in a new way.
(B)
Theorizing language in terms of discourses.
(C) Studying
language as discourse.
(D) Studying
discourse as language
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